Never had trouble with the PA causing loud pops either and ive changed things during a show many times and always will on some rigs.īehringers so always pop when ever you change anything though. certainly you wouldn't use a PA on bigger rigs or if you need delay lines on any sized rig. Unless you're using line arrays, you'll probably end up with delay speakers out in front of the mains, and if you don't have the delay time the 260 affords, you're going to be up a creek.įrankits enough to aline a PA for a small-medium stage in a pub or out doors. Just enough to time align elements in the same cabinet if you're bi/tri amping or whatever, but that's it. I'll add another difference, and this one could be a make-it/break-it difference depending on the situation: the 260 has up to 72ms of delay time available, while the PA has like.6ms or something. Buy a better chord and wire tie the thing to the rack. Both of then have sucky power chords and sockets. The 260 does not pop loudly like the driverack PA does. You will have to add delay to the other channels to line them up. So, if you use a custom configuration, or a factory preset for a Harmon system, and you add EQ or some other dsp process on the outputs, you will have time alignment issues. That means that they do not compensate for latency induced processes on the outputs. All of the drive rack products are dumb processors though. They allow or true discrete processing of left and right channels. You will need to get all the info on your speakers because you will need to play with the crossover settings etc.I also say go for the 260.
#COMPARE DBX DRIVERACK 260 SERIAL#
( needs a serial port or some adapter though) The 260 has an interface for a computer which allows you to do the setup etc very easily. Drive Racks are great but I would suggest the 260 if you can swing it.
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